Berghain Turns 20: What Two Decades of the World's Most Famous Club Built
Berghain opened in a Friedrichshain power plant in December 2004. Twenty years on: the format it codified, the tax ruling that made clubs culture in law, and what holds.
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Page 2 of 4 · Updated 19 Sep 2026, 06:23 UTC
Berghain opened in a Friedrichshain power plant in December 2004. Twenty years on: the format it codified, the tax ruling that made clubs culture in law, and what holds.
S. streams, per Luminate's year-end report — and the discovery crunch is the story.
Streaming services and broadcasters now turn every track toward a common reference level — here is how that measurement works, where the targets came from, and what it changed about comparing releases.
From the Imperial March to the newest Obi-Wan Kenobi theme, Williams's recurring phrases show how a leitmotif earns its meaning by returning, not by being written once.
Two-way packets or a refillable soundhole tube? A buyer's primer built entirely from the makers' own documentation and published federal wood-moisture data.
No wallets, no ATMs, no lost cash in the crowd — here's the tech behind the tap-to-pay wristband running vendor lines at Lollapalooza, EDC Las Vegas, and most major festivals now.
The record industry synchronised release day in 2015. Here is who decided it, what it replaced, and what it changed for charts and college radio.
Cut in three days in Chicago, released a month ahead of the picture and later preserved by the Library of Congress, Mayfield's 1972 album answered a movie about a dealer with nine songs that refuse to admire him.
A guitar neck is under roughly 200 pounds of pull from a set of light-gauge strings, and the thin metal rod inside it is the only thing keeping that force in check.
Spotify pays out by streamshare, not by a fixed rate per play — here's what that means for a working producer, and why the same stream can be worth twice as much on one platform as another.
From a volunteer music director's inbox to a weekly national chart report, here's the actual mechanism behind a college radio add.
The Academy's Music Branch does not judge a score by ear. It judges a cue sheet, and the math has to clear a fixed line before taste ever enters the room.
Wood keeps trading moisture with the air around it. Here is the equilibrium data behind the humidity window Taylor and Martin both publish, what dry and wet guitars look like, and how to check the hygrometer you are trusting.
The digital multi-player behind almost every professional DJ booth traces back three decades — here's how it works, what it plays, and why the CD is long gone.
Behind every add is a music director's judgment call, a spin logged in software like Spinitron, and — for stations that opt in — a line in an industry chart.
Bernard Herrmann wrote Hitchcock's 1960 film for string orchestra and nothing else.
Wood expands and shrinks with the air around it, and both Martin and Taylor document what happens to a guitar outside a narrow humidity band.
The log-drum, jazz-piano house style born in Gauteng's townships now has its own Beatport chart and a Coachella headline set to its name.
From a submitted single to a station's weekly chart, here is the real mechanism behind airplay at noncommercial radio — and why the data trail still matters for discovery.
Best Score Soundtrack for Visual Media and Best Compilation Soundtrack for Visual Media sound like the same prize. The Recording Academy's own definitions, and Sinners' double win in 2026, show why they aren't.
The FCC's low-power FM service exists for nonprofits, schools, and tribal governments, not individuals or companies — and it only takes applications during narrow, irregular filing windows.
Two tariff filings from the industry's trade group last month reveal an unexpected split: one protects trumpets and trombones, the other is the one that could actually move what you pay for a guitar.
A schedule of music that most viewers will never see is the single document standing between a composer and a royalty check — and the reason streaming buyouts became a fight worth having.
Spotify's pro-rata "streamshare" system, not a fixed per-stream rate, decides what a dance track earns — here's how the money actually moves, per the platform's own 2025 royalty data.
A federal rate schedule, not a station's own budget, decides what noncommercial webcasters owe for every internet play — and the number starts smaller than most program directors expect.
The VUGA Enterprises Newsroom aggregates headlines and short excerpts from the newspapers and magazines of the VUGA Enterprises Network. Every headline links to the full story on the publishing site. Part of the VUGA Network.