Provenance and Restitution: The Stories Shaping Museums
The people behind museum restitution: the Nazi plunder record, the Washington Principles of 1998, and Maria Altmann's recovered Klimt paintings.
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Updated 28 Oct 2026, 00:23 UTC · 260 latest stories
The people behind museum restitution: the Nazi plunder record, the Washington Principles of 1998, and Maria Altmann's recovered Klimt paintings.
Age-appropriate service projects that build a habit, not a one-off pang of guilt.
Why a tale told by someone else feels different from a tale told by nobody at all.
A child mails a wish to the North Pole. Somebody human opens it. The story of who that somebody is, and why the reply matters.
America built a national story on the self-made man. Mobility data and Frederick Douglass himself tell a more complicated story about how success happens.
A twin lens reflex camera pairs a viewing lens with a taking lens and shoots at the waist. How the design works, and which models to try first.
How museum digitization works: gigapixel photos, records, and open rights, from Europeana's 50 million objects to the Met's 375,000 free images.
A campus writing center pairs a writer with a trained peer tutor for a free talk about a draft. Here is what a session covers, and what it skips.
What book production files demand from a text editor: plain text for drafts, markup for structure, and clean handoff into the EPUB format.
Shows, retrospectives, surveys and permanent collections are not the same thing. Here is how the terms work, in everyday language.
Film street photography is legal in most public places. What the law says, where ethics takes over, and why a compact film body still owns the corner.
A solo hour with a pianist, a Congo childhood, and a novel built like a piece of music — the context behind Kingsolver's latest book event.
Why challenges to school and library collections are really arguments about what a community is — and how communities answer them.
Submissions, scouting and the quiet economics behind the artists a gallery takes on.
A Michigan co-op brought back a teaching-and-performance format with one show and two workshops — a modest restart, and a telling one.
Murals and monuments sit where everyone has to look. That is the whole problem, and the whole point.
A review is a service to other readers, not a verdict on the author's soul. Here's how to write one that helps.
A first collection needs a clear scope and careful questions. Museum sources offer a better starting point than promises of a bargain.
A members' studio with Rockwell in its past, 18 active members in its present, and a key that opens the door at any hour.
Museum digests, dealer notes, and paid critic letters. What art newsletters do, how paid tiers work, and the editorial test a reader should apply.
How navigation moved from spiral-bound road atlases to GPS satellites in 1993 and Google Maps in 2005, and what the printed fold still does better.
A patient inspection checklist for light seals, shutters, meters, and price — so the bargain stays a bargain.
Alain de Botton's first book blurred the line between novel and essay, and readers have expected books about feelings to think as well as confess ever
A beginner's guide to building a home library you will actually read, reread, and lend.
How newspaper crafts for adults turn free paper into elegant trays, bowls and vases — paste, patience and a little Birmingham history.
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