The latest arts, culture, books & publishing journalism from the publications of the VUGA Enterprises Network — refreshed around the clock. Every headline opens the full story at its source.
Page 8 of 10 · Updated 6 Oct 2026, 06:23 UTC
The 25-cent book did not arrive by accident. It took a failed subscription club, a wartime logistics program, a contractual loophole, and one underpaid editorial assistant to build the format now taken for granted.
Kobo built library lending straight into the firmware on most current models — here's the built-in setup, the device and country limits, and the Adobe Digital Editions workaround for everyone else.
A 2019 EU law now requires many digital products, including ebooks, to be accessible by design. Here's what indie authors and small publishers actually need to do.
The field's own ethics code bans reading fees outright — here's what agents can charge for, and what a query actually needs to work.
Materials for the Arts runs a free warehouse in Long Island City stocked with donated fabric, paint, and furniture — here's who actually qualifies to shop it, and how an artist without a nonprofit gets in.
The film's own development chart says EI 1600 is well within reach. Here's how to meter, shoot, and develop for it without losing your shadows.
A guide to the tiered fee added atop every winning bid at New York's two largest auction houses, and why both have raised it since 2025.
A layered, one-colour-at-a-time process that turns a stencil and a spinning drum into the grainy, glowing prints illustrators can't stop making.
The Editorial Freelancers Association’s newly expanded 2026 rate survey puts hard numbers on what developmental editing, line editing, copyediting, and proofreading cost — and where those ranges come from.
The consignment agreement, not the wall label, is what determines who gets paid, when, and what happens to the money if a gallery goes under.
A Depression-era relief program put thousands of unemployed writers — including Zora Neale Hurston and Ralph Ellison — on the federal payroll to document the country, until the House Un-American Activities Committee decided it looked like communist sympathy.
The Great Isaiah Scroll, found in a Qumran cave in 1947, let readers hold a Hebrew Bible text a millennium older than any known before it — and trace, jar to vault, how that survival was verified.
The consignment system that lets bookstores return unsold copies for full credit dates to the Great Depression, and it still quietly governs which titles get a real chance and which get pulped.
Why one licensed copy serves one reader at a time, what the four licence models actually buy, and what Rhode Island's 2026 law changes — traced to statute, state library policy and trade reporting.
The W3C standard behind accessible ebooks explained — what it requires, which metadata fields matter, and why the European Accessibility Act made compliance urgent for indie publishers too.
Working novelists split into planners and discoverers, and both finish books — the split decides where the labor goes, not whether the book gets written.
Selling a painting out of a Bushwick studio triggers the same state sales tax rules as a Chelsea gallery sale — here is what New York actually requires before that first transaction.
Kodak's own datasheet has a development time for EI 1600 built in. Here's the recipe, the metering logic, and the mistakes that turn a push into a wasted roll.
Percent for Art sets aside a share of city construction budgets for artwork, and the transit authority runs its own parallel commissioning system — here is how each one picks an artist.
Independent makers and collectives are invited to pitch ambitious, craft-led proposals for the next edition of Somerset House's celebrated showcase.
-only and trips up on one format rule most readers never notice.
The Editorial Freelancers Association's 2026 rate chart puts a full novel's structural edit at $2,400 to $2,800, with academic and medical manuscripts running far higher.
Sotheby's now charges 28 percent on hammer prices up to $2 M. 5 M. A guide to the fee stack sitting between the auctioneer's call and the invoice.
State money, city money, and a nonprofit go-between: a plain look at where public arts funding for working artists actually comes from in New York.
Percent-for-art laws have quietly financed American public art since 1959 by taxing construction budgets a penny on the dollar — and they fail the same way they succeed, by being invisible.
The VUGA Enterprises Newsroom aggregates headlines and short excerpts from the newspapers and magazines of the VUGA Enterprises Network. Every headline links to the full story on the publishing site. Part of the VUGA Network.